Friday, April 3, 2009
Women "Blow"
Ermine, George’s mother, always yelled at her hard-working husband because she wanted to be more financially well off. In addition, she regularly left him because she really wanted to marry into wealth. Furthermore, she betrayed her son by turning him into the police for no legitimate reason. These actions served to depict her character as a selfish, heartless, and unreasonable woman. Mirtha was another female character that was used to portray women negatively throughout the film. It was her continued habit and her insistence that George and her indulge in living the highlife which got George arrested. Furthermore, she had no problem intentionally getting him arrested simply because she was upset about not having a lot of money. That particular instance depicted her as a wild, hot-tempered, out of control, and incomprehensible female with a hot-temper.
Throughout the film, Blow, a number of female characters effectively portrayed women in a negative manner. Specifically, it was Mirtha’s wildness and Ermine’s heartlessness served to depict females as greedy and treacherous people with no sense of loyalty or appreciation.
Friday, March 27, 2009
A Fighting Man's Club
The Narrator’s character didn’t exhibit many masculine traits at all. He was shy, subordinate, weak, skittish, unimposing, and a shopaholic. During a conversation, Tyler suggested that the reason that Jack never learned how to become a man was because he never had a father figure around to teach him. As a result Jack’s subconscious created Tyler as a way to compensate for his lack of masculinity, and teach him how to become a “real man”. Tyler’s character embodied masculinity, depicting to the audience what it meant to truly be masculine. He was strong, handsome, courageous, outgoing, confident, and ambitious. As the movie progressed a change in the Narrator’s character became more and more apparent. The more time Jack spent with Tyler, the manlier he became. By the end of the movie, the Narrator had become a man and therefore no longer needed Mr. Durden. Tyler’s death symbolized Jack’s completion of his quest to attain masculinity. In conclusion, Fight Club examined the effect of a fatherless childhood on an individual’s masculinity and utilized Tyler’s character to depict masculinity to the audience.

Friday, March 20, 2009
"Sling Blade" killed a manly man. Umm Hmm.
Although Frank, Karl, and Vaughan were technically males, they were not masculine men. Frank was just a boy, and Karl was just a boy trapped inside a man’s body. They were still learning right from wrong. They had not yet developed a concept of what it meant to be masculine, let alone exhibit such traits. In addition Vaughan was a homosexual, and a very feminine one at that. Doyle was the only important masculine male character in the movie, and therefore his character was used exclusively to depict to the audience what it meant to be masculine.
Doyle treated Linda poorly. He worked construction so he made a pretty good living, but he didn’t help Linda out with any money though. He had his own house so that he could cheat on Linda with other women, and he was disgustingly mean to her son. He was always drunk, and regularly threatened Frank and Linda’s health and safety. On one occasion, Doyle demanded that Karl and Vaughan get out of his house because he doesn’t like “cocksuckers and retards.” However they were at Linda’s house, and when Linda reminded him of that fact and suggested that he get some of his other girlfriends and go home, Doyle replied, “You know better than to talk to me like that when I'm hurtin', Linda. Don't make me knock the piss outta you.” At that point Linda told Doyle that he needed to go home and sober up or she would leave him for good, to which Doyle replied, “If you even think about leaving me, Linda, I told you: I'm gonna kill you deader than a door nail.” In addition to that, he was just plain rude to her. He ordered her around like his own personal servant. For instance, he interrupted a nice family dinner by demanding that Linda go get his guitar immediately, and on another occasion he even had the nerve to ask Linda, “What am I supposed to do about supper while you're out runnin' around with that fag?” because she had made plans to spend time with her best friend that night. In conclusion, "Sling Blade" exhibited a negative portrayal of masculinity by depicting the sole masculine character, Doyle, as a horrible person.
Friday, March 6, 2009
Manly Guy
Family Guy is an animated television sitcom centered on the dysfunctional Griffin family. The show mostly focuses on the shenanigans of Peter Griffin, the father of the family, but it certainly doesn’t overlook the rest of his family; which is comprised of Luis, Peter’s wife, Chris, their oldest son, Meg, their only daughter, Stewie, their youngest son, and Brian, their dog. The show also features a large cast of reoccurring minor characters from the small town of Quahog. The most notable of which would be Peter’s best friends and neighbors: Joe Swanson, Cleveland Brown, and Glenn Quagmire.
The show utilizes most of its characters to illustrate traditional gender roles. For example, Peter is a working class father with a job at a local factory and Luis is a stay at home mother, while Joe Swanson is a paraplegic cop and his wife Bonnie is a pregnant school teacher. The only major exception would be the Brown family, in which Cleveland is subservient to his wife, Loretta. In addition, the show establishes a traditional definition of masculinity by associating conventionally masculine traits and pastimes with male characters. For instance, Peter and his friends regularly congregate at their local pub, The Drunken Clam, to drink beer and watch TV.
Family Guy portrays male characters in a negative manner in an effort to belittle the traditional ideals of masculinity. This practice is readily apparent throughout the show. For example, Peter is depicted as a fat, lazy, stupid, irresponsible, and childish alcoholic, Chris is portrayed as an overweight idiot, and Quagmire is made out to be a womanizer with no inhibitions. The only significant exception would be Cleveland Brown; whose character is depicted as a nice, mild-mannered, and calm individual with no notable vices and/or character flaws other than his decidedly submissive nature. Fascinatingly, Cleveland is the only male character that doesn’t fulfill a traditionally masculine gender role throughout the show.
In conclusion, Family Guy illustrates customary gender roles, and negatively portrays conventionally masculine characters in an effort to convey traditional masculine ideals in a negative manner.
Friday, February 27, 2009
The 40-year-old, well-meaning, virgin.
The movie portrayed men as pigs who were only interested in women for the purpose of sex. The characters of Andy’s friends, especially Cal and Jay, were used to depict the character of the common man. They were both average guys. They had average jobs. They liked sports, beer, and poking fun at one another. Cal was a funny stoner, with too much facial hair, that wrote novels on his free time; and Jay was a self styled ladies man who spent the majority of his free time cheating on his girlfriend or lying to her about cheating on her. Both Cal and Jay encouraged Andy to pick up drunken women at the bar, but when Andy suggested that doing so seemed wrong to him, both of them adamantly vindicated the practice by informing Andy that they both did it regularly and by telling him that every guy does it. Jay even went as far as to say, “All you got to do is use your instincts. How do you think a lion knows to tackle a gazelle? It's written, it's a code written in his DNA, says, "tackle the gazelle." And believe it or not, in every man there's a code written that says, "tackle drunk bitches."” The entire movie men were portrayed as mean, cheating, lying, and sexist pigs.
Andy was an extremely nice person but he didn’t seem to be interested in anything an ordinary guy would be interested in, such as sports and beer. He was so nice in fact that on one occasion he showed up at Trish’s house to surprise her only to find Trish arguing with her teenage daughter about whether or not she was old enough to have sex yet, so Andy actually drove Trish’s daughter to Planned Parenthood to attend a sex education class with her. Andy’s unique character was used to present the audience with an example of uncommon kindness which provided a stark moral contrast to the indecency of the average male.
Friday, February 20, 2009
June, the Month for Feminists
Female characters in the movie were depicted as being cleaver, funny, sharp, and independent women; which adheres to feministic beliefs of what women should be like. The film depicted Juno’s character as a confident and intelligent teenage girl, which broke the stereotype of raging, hormonal,and image-obsessed teenage girls that is so prevalent in movies today. Her character is unlike that of any other teenage girl from any movie that I’ve ever seen. She is strong, honest, confident, cleaver, funny, charming, and frank, while still managing to maintain her femininity.
The movie also portrayed Vanessa as a stereotypical feminist. She was an intelligent, strong-willed, and career-minded woman; and the film’s positive depiction of her and Juno's characters inadvertently expressed support for femininity.
In addition to it's positive portrayal of femininity via strong female characters, Juno also expressed support for femininity by depicting feminine ideology throughout the movie, specifically the belief that a single women could successfully raise a child without any help from any men, and the belief that women should have the right to choose what they want to do with their own bodies regarding abortion.
Friday, February 13, 2009
"Blood Diamond"s are Not a Girl's Best Friend
For instance, the movie featured 3 main characters; a white male mercenary named Danny Archer, a black man named Solomon Vandy, and a white female Journalist named Maddy Bowen. Interestingly enough there was really only one black woman with a speaking part throughout the entire movie and that was Jassie Vandy, Solomon Vandy’s wife, and her time on screen was incredibly brief. It basically consisted of her screaming out in terror for Vandy to come save her, which portrayed to the audience the weak and helpless nature of black women in African society. In addition, the extreme extent to which black women lacked a voice in this movie illustrated to the audience the degree to which they were marginalized in Africa during that time period.